Balsemão Pires E. (2013) The epistemological meaning of Luhmann\s critique of classical ontology. Systema: Connecting Matter, Life, Culture and Technology 1(1): 5–20. Fulltext at https://cepa.info/1126
The epistemological meaning of Luhmann's critique of classical ontology.
Systema: Connecting Matter, Life, Culture and Technology 1(1): 5–20.
Fulltext at https://cepa.info/1126
This paper is a discussion of the sustainability of a concept of “world” compatible with the “operative constructivism” and the operative conception of observation of systems theory of according to Niklas Luhmann. The paper scrutinizes the concepts of observation of H. von Foerster, H. Maturana, G. Günther and N. Luhmann, providing the general framework of “operative constructivism.” Particularly, the paper will focus on N. Luhmann’s understanding of the role of observation in the constitution of the self-reference of the social systems of the modern society. The case of the “systems of art” will be briefly inspected. What place shall we concede to the idea of an “objective” world, according to the systems theory? Are systems “objective”? According to N. Luhmann, for the description of systems only operations are “objective.” However, an operation is not an entity, which means that we need to depict a new kind of “objects,” very different from the ’thing-objectivity” of the ancient metaphysics and different from the Cartesian concept of “res.” What does objectivity mean according to systems theory? This question was at stake in the formulation of N. Luhmann’s Die Gesellschaft der Gesellschaft: Society is “weder Subjekt noch Objekt.” This paper attempts to address this formula. Relevance: The paper deals with the epistemological explanation of second-order observations in social systems according to Niklas Luhmann’s systems theory. It clarifies the world vision of the constructivism movement.