The competence of humans to create and apply constructs of reality far exceeds that of any other animal species. Their ability to consciously manipulate such models seems unique, but it remains unknown how these abilities were initially acquired and then developed. Most individuals hold strong, culturally-anchored beliefs that their particular reality is true, a viewpoint challenged by the observation that all such constructs are different. They reflect not reality, but each individual’s life experiences. Collectively they facilitated the development of hominins to unprecedented cultural and cognitive complexity. However, it remains entirely unknown how the human brain manages to create a model of the external world from the signals provided by sensory equipment and proprioceptors. This paper examines the roles of exograms in this development, as they are considered to be the only tangible connection between the brain, the faculties of sentience and the external world. Competency in exogram use became a crucial natural selection factor for humans and even overcame the human brain atrophy of the final Pleistocene and the Holocene. Under favourable conditions, some forms of exograms are capable of surviving from the deep time of human evolution. The paper follows their trail back in time to gain some insights into the developments that gave rise to human awareness, self-consciousness and Theory of Mind as we understand them. Specific archaeological finds and notions about sentient capabilities of hominins are presented in a search for exogram use in the course of human evolution. It results in a model that explains with clarity not only the course of the human journey but also the underlying reasons for the human condition as such: why we are the way we are.

Key words: human evolution, ontology, representation of reality, external memory trace, exogram, palaeoart, autopoiesis.

The interactivist model has explored a number of consequences of process metaphysics. These include reversals of some fundamental metaphysical assumptions dominant since the ancient Greeks, and multiple further consequences throughout the metaphysics of the world, minds, and persons. This article surveys some of these consequences, ranging from issues regarding entities and supervenience to the emergence of normative phenomena such as representation, rationality, persons, and ethics.

Key words: metaphysics, process, supervenience, emergence, normativity, function, representation, action, rationality, modality, persons, ethics

This paper analyzes how conflicts of perspective are resolved in the field of the human sciences. Examples of such conflicts are the duality between the actor and spectator standpoints, or the duality of participancy between a form of social life and a socio-anthropological study of it. This type of duality look irreducible, because the conflicting positions express incompatible interests. Yet, the claim of ‘‘incommensurability’’ is excessive. There exists a level of mental activity at which dialogue and resolution are possible. Reaching this level only implies that one comes back to a state of undetermination between situations and interests whose best model is a superposition of states in generalized quantum theory. Some applications of this strategy of going back below the point of ‘‘state reduction’’, from the psychology of perception to the history of civilization, are presented.

Key words: weak (or generalized) quantum theory, incommensurability, anthropology, phenomenology, quantum superposition, bistability, complementarity.

The article aims to provide the main conceptual coordinates in order to fully understand the state of the art of the most recent research in the field of neurobiology of interpersonal experience. The main purpose of this work is to analyze, at an anthropological, phenomenological and epistemological level, how the fundamental characteristics of the recognition of otherness and intercorporeity among human beings contribute to changing the image of nature in the light of a possible new relationship between living bodies, neurophysiological systems and empathy. From this point of view, the hypothesis to investigate is that neurophenomenology, understood as a new evolutionary, multidimensional and autopoietic approach, is capable of probing the preconditions of the possible delineation of a phenomenology of intersubjectivity shaped by the neuroscientific turning point, represented by the discovery of mirror neurons. At this level, the neuroscientific data are interpreted according to a specific interdisciplinary perspective, thus trying to offer a possible unitary and integrated theoretical framework.

Key words: otherness, enaction, intercorporeity, neurosciences, epistemology of complexity, living body, empathy.

This paper addresses the question whether we can conceive of music cognition in ecosemiotic terms. It claims that music knowledge must be generated as a tool for adaptation to the sonic world and calls forth a shift from a structural description of music as an artifact to a process-like approach to dealing with music. As listeners, we are observers who construct and organize our knowledge and bring with us our observational tools. What matters is not merely the sonic world in its objective qualities, but the world as perceived. In order to make these claims operational we can rely on the ecological concept of coping with the sonic world and the cybernetic concepts of artificial and adaptive devices. Listeners, on this view, are able to change their semantic relations with the sonic world through functional adaptations at the level of sensing, acting and coordinating between action and perception. This allows us to understand music in functional terms of what it affords to us and not merely in terms of its acoustic qualities. There are, however, degrees of freedom and constraints which shape the semiotization of the sonic world. As such we must consider the role of event perception and cognitive economy: listeners do not perceive the acoustical environment in terms of phenomenological descriptions but as ecological events.

Key words: adaptation and adaptive control, cognitive economy, coping behavior, ecosemiotics, enactive and experiential cognition, epistemic control system, event perception, listener–environment interaction, musical epistemology