Discipline «Performing Arts»

Publications Found: 12 · Show All Abstracts

Blair R. (2019) 4E cognition for directing: Thornton Wilder’s Our Town and Caryl Churchill’s Light Shining in Buckinghamshire. In: Kemp R. & McConachie B. (eds.) Routledge companion to theatre, performance and cognitive science. Routledge, Oxon: 91–99. Fulltext at https://cepa.info/6714
Glanville R. (2011) To Be Decided. Cybernetics & Human Knowing 18(3–4): 101–110. Fulltext at https://cepa.info/3477
Linke D. B. & Fischer H. R. (1998) Das Auge ohne Blick in Samuel Becketts “Film”. In: Fischer H. R. (ed.) Die Wirklichkeit des Konstruktivismus: Zur Auseinandersetzung um ein neues Paradigma. Second edition. Carl-Auer-Systeme, Heidelberg: 325–327.
Petlevski S. (2014) Beyond identity: The dynamic self at the intersection of performance philosophy and the philosophy of science. Interdisciplinary Description of Complex Systems 12(3): 187–209. Fulltext at https://cepa.info/4331
Redfern N. (2005) Film as text: Radical constructivism and the problem of narrative in cinema. Amsterdam International Electronic Journal for Cultural Narratology (AJCN) 2. Fulltext at https://cepa.info/4228
Rosen M. (2008) The control of control – Gordon Pasks kybernetische Ästhetik. Österreichische Zeitschrift für Geschichtswissenschaften 19(4): 73–110. Fulltext at https://cepa.info/2311
Scholte T. (2016) “Black Box” Theatre: Second-Order Cybernetics and Naturalism in Rehearsal and Performance. Constructivist Foundations 11(3): 598–610. Fulltext at https://cepa.info/2889
Scholte T. (2017) Audience and Eigenform: Cybersemiotic Epistemology and the “Truth of the Human Spirit” in Performance. Constructivist Foundations 12(3): 316–325. Fulltext at https://cepa.info/4182
Scholte T. (2018) Toward a systems theatre: Proposal for a program of non-trivial modeling. Futures 103: 94–105. Fulltext at https://cepa.info/6794
Scholte T. (2020) A proposal for the role of the arts in a new phase of second-order cybernetics. Kybernetes 49(8): 2153–2170. Fulltext at https://cepa.info/6795
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