Key word "collaborative creativity"
Daskolia M., Kynigos C. & Makri K. (2015) Learning about Urban Sustainability with Digital Stories: Promoting Collaborative Creativity from a Constructionist Perspective. Constructivist Foundations 10(3): 388–396. https://cepa.info/2160
Daskolia M., Kynigos C. & Makri K.
(
2015)
Learning about Urban Sustainability with Digital Stories: Promoting Collaborative Creativity from a Constructionist Perspective.
Constructivist Foundations 10(3): 388–396.
Fulltext at https://cepa.info/2160
Context: Sustainability is among major societal goals in our days. Education is acknowledged as an essential strategy for attaining sustainability by activating the creative potential within young people to understand sustainability, bring forth changes in their everyday life, and collectively envision a more sustainable future. Problem: However, teaching and learning about sustainability and sustainability-related issues is not an easy task due to the inherent complexity, ambiguity, and context-specificity of the concept. We are in need of innovative pedagogical approaches and tools that will allow us to design learning activities in which learners will be empowered to develop new, alternative interpretations of sustainability in personally and collectively meaningful ways. Method: We argue that a constructionist perspective involving the use of expressive media for digital storytelling offers an appropriate frame for designing learning activities fostering collaborative creativity in thinking and learning about urban sustainability. Our study is based on the design of a learning activity following this rationale. We adopted a qualitative approach in the collection and analysis of different sources of data with the aim to explore collaborative creativity as a learning process based on the students’ collective processes and resulting in the co-construction of new ideas and insights about sustainability, and new tangible artefacts (the digital stories) encompassing them. Results: Our analysis of the collaborative creativity exemplified in the three digital stories produced identified important creative elements with regards to the three components of a digital story (script, technical characteristics, and ideas of urban sustainability) and how they were embodied in each digital story produced as a result of the students’ joint constructionist activity. Implications: Our study provides some preliminary evidence that collaborative creativity from a constructionist perspective can stand as an appropriate framework for designing learning activities addressing the difficult concept of sustainability. There are several implications for both theory and educational practice in environmental education and education for sustainable development, constructionism, and digital storytelling in education. Moreover, our study opens up new fields for research and theory in creativity.
Dettori G. (2015) Narrative Learning for Meaning-Making, Collaboration and Creativity. Constructivist Foundations 10(3): 399–400. https://cepa.info/2163
Dettori G.
(
2015)
Narrative Learning for Meaning-Making, Collaboration and Creativity.
Constructivist Foundations 10(3): 399–400.
Fulltext at https://cepa.info/2163
Open peer commentary on the article “Learning about Urban Sustainability with Digital Stories: Promoting Collaborative Creativity from a Constructionist Perspective” by Maria Daskolia, Chronis Kynigos & Katerina Makri. Upshot: The target article by Daskolia, Kynigos and Makri shows the great potential of narrative learning to foster general learning skills, such as meaning-making, collaboration and creativity, while facilitating the construction of disciplinary content knowledge. This learning approach has much to recommend it, especially from a constructivist perspective, because it supports the implementation of collaborative and creative learning processes apt to promote reflective dialogue as a basis for knowledge construction, capitalizing on students’ previous knowledge and experience.
Girvan C. (2015) Studying Complexity: Creativity, Collaboration and Learning. Constructivist Foundations 10(3): 397–398. https://cepa.info/2161
Girvan C.
(
2015)
Studying Complexity: Creativity, Collaboration and Learning.
Constructivist Foundations 10(3): 397–398.
Fulltext at https://cepa.info/2161
Open peer commentary on the article “Learning about Urban Sustainability with Digital Stories: Promoting Collaborative Creativity from a Constructionist Perspective” by Maria Daskolia, Chronis Kynigos & Katerina Makri. Upshot: Creativity, collaboration and learning are fascinatingly messy and interconnected processes. Does knowledge develop by engaging in a collaborative creative process, or does existing knowledge allow us to create more creative artefacts? Does one build upon the other in a bricolage process, familiar to constructionist learning experiences? If so, how can we best facilitate this type of learning? This OPC raises a number of questions that it does not attempt to answer but raises them to draw attention to the complexity of the phenomena under investigation.
Peppler K. (2015) Tool Selection and Its Impact on Collaborative Learning. Constructivist Foundations 10(3): 398–399. https://cepa.info/2162
Peppler K.
(
2015)
Tool Selection and Its Impact on Collaborative Learning.
Constructivist Foundations 10(3): 398–399.
Fulltext at https://cepa.info/2162
Open peer commentary on the article “Learning about Urban Sustainability with Digital Stories: Promoting Collaborative Creativity from a Constructionist Perspective” by Maria Daskolia, Chronis Kynigos & Katerina Makri. Upshot: Daskolia, Kynigos and Makri’s article offers us a view into potential applications of constructionist learning theory to help students conceive of and collaborate on solutions to today’s complex problems. This work in many ways parallels the efforts of those investigating systems thinking and highlights the importance of digital production in that process. While many efforts rely on simulations and models, the authors place centrally the role of digital production in understanding complexity. This, in turn, calls our attention to the affordances and limitations of our current tools for facilitating learning and collaboration, and ultimately to the need for new tools.
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