Besides their skepticism about universal reason and universal morality, the Frankfurt Schools of Critical Systems Theory and Critical Theory share basic assumptions: (1) the thinking in societal-systemic, institutional concepts, which transcend simple reciprocal relations by dint of their complexity; (2) the assumption that society is based on fundamental paradoxes, antagonisms, antinomies; (3) the strategy to conceptualize justice as a contingent and transcendental formula; (4) the form of immanent (and not morality-based, external) critique as an attitude of transcendence; (5) the aim of societal (and not only political) emancipation in an ‘association of free individuals’ (Marx). The article focuses on those parallels and aims to conceptualize a critical turn-around of autopoietic systems theory.

Key words: autopoiesis, critical systems, critical systems theory, global law, justice world society.

This paper makes the case for, and calls for participants in, an interdisciplinary research program exploring the development of theatrical methods of social system modeling. It combines argumentation that synthesizes concepts from the theatre and the system sciences with results from a pilot application of some of the modeling methods discussed. Theatrical methods of modeling facilitate surprising insights regarding the impacts of emotion and other non-trivial factors on system behaviour that are difficult to address in purely computational and diagrammatic forms of modeling. While a theoretical relationship between systems approaches and the theatrical techniques discussed has been articulated elsewhere, this paper is the first to propose a more fulsome exploration of the potentialities of this relationship for systems praxis.

Key words: augusto Boal, theatre of the oppressed, theatre for living, systems theory, cybernetics, Konstantin Stanislavski, soft systems methodology, system dynamics, critical systems heuristics, enactive management.