About painting, cybernetics, and shared purpose, this article is partly a story, in part a memoir, an adventure in cybernetics, happening 30 years ago, in snow, in the small Swiss city of St. Gallen. A conference of the American Society for Cybernetics meets there. It is 1987. The author, a painter, searching for a new understanding of painting, encounters a convergence of the art of painting and the art of cybernetics through principles of second-order cybernetics in Pask, von Foerster and Maturana, dissolved in Kathleen Forsythe’s poetry. The form, as well as the content of this article, reflects cybernetics.

Key words: blue, conversation theory, cybernetics, gordon pask, harvey horowitz, journey to the east, kathleen forsythe, lavender, orange, painting, parable of the lost drachma, paul cezanne, penny colville, peter schjeldahl, pink, robert schoenholtz, salvador dali

Background noise is the irregular variation across repeated measurements of human performance. Background noise remains after task and treatment effects are minimized. Background noise refers to intrinsic sources of variability, the intrinsic dynamics of mind and body, and the internal workings of a living being. Two experiments demonstrate l/f scaling (pink noise) in simple reaction times and speeded word naming times, which round out a catalog of laboratory task demonstrations that background noise is pink noise. Ubiquitous pink noise suggests processes of mind and body that change each other’s dynamics. Such interaction-dominant dynamics are found in systems that self-organize their behavior. Self-organization provides an unconventional perspective on cognition, but this perspective closely parallels a contemporary interdisciplinary view of living systems.