Purpose: Appreciating the relationship between Sylvio Ceccato and Ernst von Glasersfeld, both as people and in their work. Approach: historical and personal accounts, archeological approach to written evidence. Findings: Ceccato’s work is introduced to an English speaking audience, and the roots of Glasersfeld’s work in Ceccato’s is explored. Flaws in Ceccato’s approach are indicated, together with how Glasersfeld’s work overcomes these, specially in language and automatic translation, and what became Radical Constructivism. Conclusion: Glasersfeld willingly acknowledges Ceccato, who he still refers to as the Master. But Ceccato’s work is little known, specially in the English speaking world. The introduction, critique and delineation of extension and resolution of Ceccato’s ideas in Glasersfeld’s work is the intended value of the paper.

Key words: philosophy, language, correlational grammar, Italian Operational School, attention/mind, mental operation, Ernst von Glasersfeld, Silvio Ceccato

Excerpt: I wish address some of the paradoxes that arise if one adopts a non-critical radical constructivist stance to account for creative people’s interactions with – and through – (hu)man-made artifacts, in particular as they engage in the process of ‘world-making’, to use Goodman’s expression (1978), or designing in a broad sense.

Castoriadis’s encounter with autopoiesis was a decisive factor for his philosophical trajectory. Its influence can be seen on four interconnected levels of his thought: his reconsideration of Greek sources for his later interpretation of trans-regional being as self-creating; his rethinking of objective knowledge; his ventures into philosophical cosmology; and his re-evaluation of the living being, especially in light of his dialogue with Varela. In brief, Castoriadis’s engagement with autopoiesis was significant for his shift towards an ontology of radical physis. His shift to radical physis does not point so much to a rejection of the project of autonomy, however, as, paradoxically, its simultaneous radicalization and relativization.

Excerpt: Obviously perception is embodied. After all, if creatures were entirely disembodied, how could physical processes in the environment, such as the propagation of light or sound, be transduced into a neurobiological currency capable of generating experience? Is there, however, any deeper, more subtle sense in which perception is embodied?

“Enactive knowledge” is distributed across all the interactions between an organism and its environment. When a human subject interacts with a computerized virtual environment, his motor acts determine sensory feedback from the machine, giving rise to sensory-motor dynamics. The traces of these interactions, which are readily retrieved from the computer, complete information concerning the user’s activities. The analysis of traces makes it possible to describe the sensory-motor dynamics, and to characterize the variety of strategies employed by the users.

This paper attempts to establish a systems-semiotic framework explaining creativity in the design process, where the design process is considered to have as its basis the cognitive process. The design process is considered as the interaction between two or more cognitive systems resulting in a purposeful and ongoing transformation of their already complex representational structures and the production of newer ones, in order to ful?ll an ill-defined goal. Creativity is considered as the result of an emergence of organizational complexity in each cognitive system participating in the design process, while it is trying to purposefully incorporate new constraints in its meaning structures. The meanings generated in each system are identi?ed as the contingent and anticipatory content of its representations, and where self-organization is the dominant process in which they are continuously involved. Furthermore, Peircean semiotic processes appear to provide the functionality needed by the emergent representational structures in order to complete the cycle of a creative design process. Creativity originates in the abductive stage of the semiotic process, the fallible nature of which is maintained in the proposed framework by the fact that the respective emergent representations can be mis?ts. The nodal points of the framework are identified and analyzed showing that a cognitive system needs the whole interactive anticipatory cycle in order to engage in a creative design process.

Key words: Anticipations, Creativity, Emergent Representations, Peircean Semiotic Processes, Self-organization

Der Eingang konstruktivistischer Sichtweisen in die Erwachsenenbildung ist eng mit dem Namen Horst Siebert verbunden. Zusammen und in der Auseinandersetzung mit Rolf Arnold hat er damit zu Beginn der 1990er Jahre das Denken in der Erwachsenenbildung “perturbiert” bzw. erfrischt. Wie sich “frisches Denken” in den Formen des wissenschaftlichen Denkens entwickelt, ist die Frage, die anhand dreier Texte von Horst Siebert aus den Jahren 1991, 1993 und 1999 in diesem Beitrag analysiert werden soll. Dabei wird deutlich werden, dass “frisches Denken” sich auch in der Wissenschaft nur allmählich entpuppt – vor allem dann, wenn es sich um einen Paradigmenwechsel handelt, der nicht nur gewohnte Sichtweisen, sondern auch die Weisen unseres Sehens selbst grundlegend in Frage stellt.

Excerpt: As I read the cybernetic literature, I became intrigued that as an approach to the mind which was often described as a predecessor to AI, cybernetics had a much more sophisticated approach to mind than its purported successor. I was soon led to Prof. Herbert Brün’s seminar in experimental composition, and to the archives of the Biological Computer Laboratory (BCL) in the basement of the University of Illinois library. Since then, I have been trying to come to terms with what it was that was so special about the BCL, what allowed it to produce such interesting ideas and projects which seem alien and exotic in comparison to what mainstream AI and Cognitive Science produced in the same era. And yet, despite its appealing philosophical depth and technological novelty, it seems to have been largely ignored or forgotten by mainstream research in these areas. I believe that these are the same concerns that many of the authors of the recent issue of Cybernetics and Human Knowing (Brier & Glanville, 2003) express in regard to the legacy of von Foerster and the BCL. How could such an interesting place, full of interesting things and ideas have just disappeared and been largely forgotten, even in its own home town?

In this paper we argue for the possibilities of applying the concept of autopoiesis to the information systems of modern organizations. Modern organizations in today’s rapidly changing, turbulent and complex environment are virtual, open, heterarchic and autopoietic. The main question we try to address in this paper is how to support these organizations with an adequate information system. We show that it is possible to develop autopoietic information systems that should be able to respond to the challenges of modern organizations.

Key words: autopoiesis, information system, organization

The paper looks at how a society having to deal with the introduction of the computer and its derivatives may differ from earlier societies which dealt with the introduction of language, writing, and the printing press. Each one of the introduction of these media of the dissemination of communication is regarded as a ‘catastrophe ’ forcing the society into new ways to selectively deal with new kinds of surplus meaning. The paper presents a sociological theory having to incorporate aspects of heterogeneous networks and of self-referential action in order to watch how the transformation of modern society into a next society may enfold. It draws a distinction between the structure of a society, ensuring the dissemination of communication, and the culture of the society, enabling it to condense the meaning of disseminated and distributed communication into a form which allows actors to focus on selections of it while taking account of the unmarked state as the other side of any one selection. Niklas Luhmann proposed to consider Aristotelian telos the ancient literal society’s culture form, and Cartesian self-referential restlessness or equilibrium as modern printing press society’s culture form. We add the culture form of boundaries for primitive oral society, and Spencer-Brownian form for the emerging next computer society. The paper will be