I consider the relation between shared musical experience and basic forms of empathy. I draw upon studies from developmental psychology to show that music motivates early infant-caregiver interactions and supports rudimentary forms of interpersonal understanding. I stress the enactive character of this process and argue that shared musical experiences depend crucially on sensorimotor features of the animate body. To highlight their enactive character, I characterize such experiences as dynamic processes of (1) joint sensemaking, enacted via temporally-extended patterns of (2) skillful engagement with music that are (3) synchronically and diachronically scaffolded by the surrounding environment. I treat these three aspects in turn, arguing that they collectively afford the unique sort of intimacy – empathy – possible even within early shared listening experiences.

Key words: empathy, intersubjectivity, phenomenology, emotions, enaction, developmental psychology, entrainment, music therapy

I offer a preliminary defense of the hypothesis of extended emotions (HEE). After discussing some taxonomic considerations, I specify two ways of parsing HEE: the hypothesis of bodily extended emotions (HEBE), and the hypothesis of environmentally extended emotions (HEEE). I argue that, while both HEBE and HEEE are empirically plausible, only HEEE covers instances of genuinely extended emotions. After introducing some further distinctions, I support one form of HEEE by appealing to different streams of empirical research—particularly work on music and emotion regulation. However, I register skepticism about a second and more radical form of HEEE.

Key words: Emotions. Affect. Extended mind. Music.. Self-regulation. Joint listening

Although enactive approaches to cognition vary in terms of their character and scope, all endorse several core claims. The first is that cognition is tied to action. The second is that cognition is composed of more than just in-the-head processes; cognitive activities are (at least partially) externalized via features of our embodiment and in our ecological dealings with the people and things around us. I appeal to these two enactive claims to consider a view called “direct social perception” (DSP): the idea that we can sometimes perceive features of other minds directly in the character of their embodiment and environmental interactions. I argue that if DSP is true, we can probably also perceive certain features of mental disorders as well. I draw upon the developmental psychologist Daniel Stern’s notion of “forms of vitality” – largely overlooked in these debates – to develop this idea, and I use autism as a case study. I argue further that an enactive approach to DSP can clarify some ways we play a regulative role in shaping the temporal and phenomenal character of the disorder in question, and it may therefore have practical significance for both the clinical and therapeutic encounter.

Key words: Enactivism, embodiment, direct social perception, forms of vitality, autism, schizophrenia

I argue for an enactive account of musical experience – that is, the experience of listening ‘deeply’ (i.e., sensitively and understandingly) to a piece of music. The guiding question is: what do we do when we listen ‘deeply’ to music? I argue that these music listening episodes are, in fact, doings. They are instances of active perceiving, robust sensorimotor engagements with and manipulations of sonic structures within musical pieces. Music is thus experiential art, and in Nietzsche’s words, ‘we listen to music with our muscles’. This paper attempts to explicate and defend this claim. First, I discuss enactive approaches to consciousness and cognition generally. Next, I apply an enactive model of perceptual consciousness to the experience of listening to music. To clarify what is at stake, I use Peter Kivy’s ‘enhanced formalism’ as a philosophical foil. I then look at how the animate body shapes musical experience.

In this paper, we argue that several recent ‘wide’ perspectives on cognition (embodied, embedded, extended, enactive, and distributed) are only partially relevant to the study of cognition. While these wide accounts override traditional methodological individualism, the study of cognition has already progressed beyond these proposed perspectives toward building integrated explanations of the mechanisms involved, including not only internal submechanisms but also interactions with others, groups, cognitive artifacts, and their environment. Wide perspectives are essentially research heuristics for building mechanistic explanations. The claim is substantiated with reference to recent developments in the study of “mindreading” and debates on emotions. We argue that the current practice in cognitive (neuro)science has undergone, in effect, a silent mechanistic revolution, and has turned from initial binary oppositions and abstract proposals toward the integration of wide perspectives with the rest of the cognitive (neuro)sciences.